Paula Vogel, Pulitzer Prize winner (How I Learned to Drive), has created a colorful, extremely earnest musical about the Civil War that strives to meld history, dramedy and historical and roots music into a sort of new holiday classic.
Despite its exceptionally talented and
equally earnest cast, the play, so hopeful and promising, fails its cast and its audience with what is essentially a dishwater weak pop treatment of a critical era in American history that deserves better- better writing, better story and simply more depth and drama. Yes, in the Obama era we have Spielberg's Close Encounters with Abe Lincoln, Abe Lincoln Vampire Hunter, but do we really need Abe Lincoln as Matthew Broderick mugging and singing about the End of the Civil War and the old south. There are some sincere and moving numbers. Sumaya Bouhbsl, K. Todd Freeman Chrus Henry, Rachel Spencer Hewitt, man tawny Hopper, Amber Iman, Jonathan-David, Karen Kandel, Sean Alan Krill, Alice Ripley and Bob Stilman give admirable and powerful performances on role and perhaps against all odds. Colorful and imaginative with bright staging, but the longed for drama, darkness and vision despite the performers best efforts seems wrestled to the ground by the play's uneven mix of real history and historical fiction. Never quite escaping the pull to Earth of the pedantic, A Civil War Christmas for this hopeful viewer never quite comes together and achieves escape velocity into a transporting theater experience.
-Anthony Napoli Deep in the Heart of Brooklyn
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