Underground Lit: The A, B,Cs (and Ps & Qs) of the Q Train

Currently Carless in Gaza, since our daughter has use of "Dad's" Honda for her senior year upstate, Brooklyn Beat is getting reacquainted with the morning subway commute. I got the 2nd car, (the first time that I, a city lad, had ever owned my own personal car, separate from our family car) a few year's back, when I was working on Staten Island. Even after I made it back to Brooklyn, I was providing limo service for our 3 younger kids to their various schools around the borough. Finally, a little further down the road, to continue to the automotive metaphor, with 2 kids in college and our younger 2 entering high school, I am no longer needed in my morning chauffeur capacity. Now, suddenly carless, I can get up early, take a stroll up to the express stop at Newkirk, hop on the B express (if I'm lucky) or the Q local (if I'm tired and can get a seat), to DeKalb. I usually disdain the local to Court Street and walk up Fulton Street, grabbing a coffee large, skim milk, no sugar, on the way.

Anyway, the point of this pointless recounting, is that the NY Times City Room blog is assessing the current state of the NYC Subway as Reading Room. Is it true that folks read more since they can't use their phones or internet on the trains ?
I answered the survey. Last book read: Travels with Herodotus by R. Kapuschinsky. Last newspaper: One of the throwaways, AM New York or the Metro, don't remember which. Last periodical: New York Magazine fall preview issue. But truthfully, it is more of a glancing review than a heavy read. First, I find, as I'm getting older, and have lost my sea legs, that I need to mind my balance on the train as it (hopefully) rockets along. Next, I find my Ipod provides a similar, underground distraction as reading a newspaper. It is just as easy to listen to "I was made to love her" by Stevie Wonder, or "Mississipi" by Bob Dylan, or even "Basin Street Blues/When It's Sleepy Time Down South" by Louis Prima with Sam Butera's honking sax, as it is to read the paper or a book. I can glance away at the zit or hemorrhoid removal ads, and in this abstract revery, while away my train time. I think a lot of other folks do this as well. No wrestling with books or newspapers, or taking up extra subway lebensraum, shared with my already crowded in fellow riders.

The photo that accompanies the City Room article shows an almost Edenic image of the train, empty, maybe midday, or late at night, with one passenger toting a hefty volume that looks like the Jerusalem Bible, or the portable Oxford English Dictionary, while another has a paperback, trade or mass market, I can't determine. But when Brooklyn Beat is riding, around 7 AM, while it is not quite cattle car time, there are a lot of folks trying to wake up, groaning at Another Day in the Life. I see the occasional newspaper, usually the Daily News or Post, paperback novels in English, Chinese or Russian, and the occasional textbook. Can the Ipod be replacing the casual read for a lot of riders? Plus, the Q and B run outside through lower Brooklyn; intermittent phone and internet service is still somewhat possible.

In the NYC subway, although I haven't been a daily rider in a few years, the goal of most civilized riders is to maintain a modest footprint. But schools are still closed; we'll see what next week brings.

The NY TIMES Subway Reading Survey is here:
\http://cityroom.blogs.nytimes.com/2009/09/02/reading-while-riding/

'What's Inside is Just A Lie': Passing Strange

Above: Stew as The Narrator, left, and Daniel Breaker as Youth in Passing Strange.


Stew and Spike Lee, above.

Passing Strange, the film by Spike Lee of the theatrical performance of the play of the same name by Stew (Mark Stewart) and Heidi Rodewald is an exuberant and spiritual retelling of the eternal struggle to find one’s self in the arts. When I missed its Broadway run, I was disappointed and therefore very happy to learn that Spike Lee had collaborated in remaking it as a film. And if any recent Broadway show deserves a life on film, Passing Strange surely does.

As much as it is a focus on the efforts of Youth, played by Daniel Breaker, with retrospective backup provided by the Narrator (Stew), to recreate himself ---from a young, middle class, African American man from South Central L.A., to a musician living the bohemian life in Europe and in search of The Real-- I found it filled with wonderful, universal truths, hard-learned lessons and reflections. Whether you are young and finding yourself on the first steps on this road, or you are someone who lived through variations on this theme decades ago, you will find yourself inspired and elated by Passing Strange, a visionary, psychedelic and musical journey, by Stew and Heidi Rodewald.

Youth turns his backs on the life in which he found himself in L.A. and works hard at reestablishing himself as “a construct.” (A frequent and funny reference among the Marxist and material culture minded Europeans in the films.) The entire cast is remarkable: Along with Stew and Mr. Breaker, De’Adre Aziza, Colman Domingo, Chad Goodridge, Rebecca Naomi Jones, move back and forth in amazing, dizzying tangents, as they switch from a church group in South Central L.A. to punk rockers and on to young Dutch and German artists and radicals in the 70s. Eisa Davis is transporting as Youth’s Mother.

At one point, the Narrator, who puts himself, as Youth, under the microscope on many occasions, observes how funny it is that our adult lives are often dictated by decisions made by teenagers (that is, ourselves as teenagers). Music, by Stew’s band, Negro Problem, featuring partner Heidi Rodewald is likewise amazing. Spike Lee’s direction seems to make clear that Passing Strange must have been a labor of love for everyone involved, just as, in its joyful and painful moments, it is art that will move you, change you, and stay with you for a long time to come.

The film is now at the IFC Theater in the Village, as well as on HBO On Demand.

Trailer here: http://www.youtube.com/watch?v=DgiguUKQ4S0

Stew’s site: http://www.negroproblem.com/




Bonus track: The Negro Problem, with a vocal by Colman Domingo, of Passing Strange, perform "Gary's Song" from SpongeBob Squarepants, composed by Stew.
"http://www.youtube.com/watch?v=pY3TlrisIBQ
Posted by Blackberry

Roaming & Rambling: Bay Parkway

Above, Rimini Bakery, Bay Parkway

Bay Parkway, beginning at 65th Street, is a great melange of Italian, Chinese and Russian Brooklyn. Chang Wang, the huge Asian supermarket, has a wide array of fresh and packaged foods, largely Asian, plus cooking implements, snacks, etc. Rimini Bakery, pictured above, is a terrific Italian bakery with artfully decorated cakes. Their breads, pastries, and cookies are likewise very fine, and don't forget the summertime gelati.

Torres Pizzeria Restaurant, while not the fanciest place for dining, has marvelous and reasonably priced entrees that make a great takeout destination. And Caeser's Bay Wines and Liquors, across the street, remains a great discount liquor store with a wide selection. Gintaras, Russian international gourmet food, rounds out the ethnic trifecta in the neighborhood, but there are many more multi-ethnic shops, supermarkets and restaurants in the nabe to be discovered. Bay Parkway is a neat way to experience the coming and goings of Brooklyn's many diverse communities in a several block stretch. And there also is the wonderfully named "Shampooche," a dog groomer on 65th street. We are amused. Remember: Explore Brooklyn.

'Prophet' or 'Misguided Fanatic ?': John Brown (or Quentin Tarantino)

Not to give away spoilers, but by this point it is surely not news that Quentin Tarantino has re-written the rules of the World War 2 movie. Surreal, a spaghetti western on steroids, comic, arch, bizarre and thoroughly entertaining, Inglourious Basterds may pave the way for enormous changes at the last minute (to quote Brad Pitt's Lt. Aldo Raine) in historical film-making. So, it was interesting that NY Magazine reported on Tarantino's appearance on Charlie Rose last week, where he discussed plans to make a film about John Brown, an American abolitionist, and folk hero who advocated and practiced armed insurrection as a means to end all slavery. He led the Pottawatomie Massacre in 1856 in Bleeding Kansas and made his name in the unsuccessful raid at Harpers Ferry in 1859.

Even President Abraham Lincoln said he was a "misguided fanatic" and Brown has been called "the most controversial of all 19th-century Americans."

This is not exactly news, since Tarantino had discussed this intriguing concept on an earlier Charlie Rose with Robert Rodriguez in 2007. A the same time, Martin Scorsese was reputedly working on a script based on "Cloudsplitter" by Rusel Banks. Well, Tarantino has been working on Inglourious Basterds since the time of Jackie Brown, so with his latest udner his belt, one can only wonder "What hath Quentin wrought?"

John Brown, wiki facts and factoids: http://en.wikipedia.org/wiki/John_Brown_(abolitionist)From 2007:

The 2007 interviews:

Quentin Tarantino, Martin Scorsese and John Brown:
http://abolitionist-john-brown.blogspot.com/2007/04/martin-quentin-and-john-should.html

On April 5, 2007, Quentin Tarantino was interviewed with fellow filmmaker Richard Rodriguez on the popular PBS program, The Charlie Rose Show. Toward the end of the program, Rose asked Tarantino about his future film ideas and--to our shock--he declared his desire to do a film about our man Brown. Here is an excerpted transcript from that interview:

QT: I would one of these days love to do the John Brown story, he's one of my biggest heroes of all time; and I'd actually like to play John Brown because I think I kind of look like him a little bit. But I'm actually thinking that may be the last movie I'll ever make--I'll be 59 or 60, I'll look the right age, I'll be the right age. And so, that's like an Unforgiven thing--

CR: Why is he such a hero?

QT: Because he pretty much ended slavery all by himself. And like all great patriots, was tried for treason [laughter]. I mean he's the only white man that's ever earned a spot on black history calendars, alright, and there looking you in the eye. Nobody saw slavery the way he saw it, and "if we have to start killing people to stop this then they're going to know what time it is." I just love him. He's just my favorite American.
-----

To his credit, of course, Tarantino expresses a very positive view of Brown, something that we desire in any filmmaker who takes on the John Brown story. Hollywood has long produced films about Brown (or including him) that always made him look like a madman and villain. If Tarantino sees Brown as a hero, perhaps we will finally have a popular conception of John Brown promoted--one which does not conform to the older, biased, negative images that have prevailed throughout the 20th century. Admittedly, Tarantino is not a historian, so his inaccurate remarks about Brown may be forgiven; but if he portrays Brown both as a caring human and humanitarian, we might finally get closer to the John Brown who lived.

On the other hand, Tarantino's films are controversial for their violence and vulgarity, and in some respects it seems unfortunate that he would take up the John Brown story when his portrayed values seem so remote from the biblical values for which Brown lived and died. Of course there is fighting and violence in Brown's story; but our hope is that this violence is contextualized and explained, and not simply processed in a Kill Bill or Grindhouse manner of sensationalism.

from NY MAGAZINE 2009: Will Quentin End the Civil War Early?

With the $65 million international weekend gross for Nazi-scalping, WWII-abbreviating adventure-comedy Inglourious Basterds proving a huge demand for movies in which true events are delightfully reimagined by Quentin Tarantino, the question now is, Which part of history will he tackle next? Why not American slavery? In a pretty great interview on Friday's Charlie Rose, Tarantino reiterated his plans to one day make a movie based on the life of abolitionist John Brown — the guy whose unsuccessful attempt to start a slave revolt at Harper's Ferry in 1859 fueled the movement that helped start the Civil War — who Tarantino told Rose is "my favorite American who ever lived."

Tarantino's been talking about this for a while as something he'd like to do later on, possibly for his final movie. But in light of Basterds' runaway success, doesn't it sound like something he should start working on now? (Maybe he could even make Cannes next year!)

"I wouldn't go the dreary, solemn, historical route," he said on Charlie Rose, just in case anyone actually thought he would. "I just don't like that musty thing." Two weeks ago, a counterfactual Brown biopic following his successful seizure of an armory and subsequent slavery-ending, Civil War–preventing uprising (starring Christoph Waltz as an evil huge-pipe-smoking plantation owner and featuring a seventies soul soundtrack) would've sounded like a stupid idea. Today, though, it might just be the best one Harvey Weinstein's ever heard. We suppose we'd rather watch that than one of those hypothetical Basterds prequels.

You can download video of 2009's Tarantino interview on Charlie Rose here:

http://www.slashfilm.com/2009/08/25/votd-quentin-tarantino-on-charlie-rose/
Skip to about 42 minutes in for the John Brown stuff.

The Lion of the Senate: Edward M. Kennedy, 1932-2009

"He was a Rabelaisian figure in the Senate and in life, instantly recognizable by his shock of white hair, his florid, oversize face, his booming Boston brogue, his powerful but pained stride. He was a celebrity, sometimes a self-parody, a hearty friend, an implacable foe, a man of large faith and large flaws, a melancholy character who persevered, drank deeply and sang loudly. He was a Kennedy."

U.S. Senator Edward M. Kennedy, dead, on August 25, 2009, of cancer.

NY TIMES: http://www.nytimes.com/2009/08/27/us/politics/27kennedy.html?_r=1

"Turn Left onto Lonely Avenue" - Bob Dylan as Voice of GPS System?

The singer-songwriter discussed the possibility of his being featured as the voice of a GPS system. It was mentioned on his BBC Radio 6 Music Sunday show which was on the theme of street maps.

Renowned for his raspy, nasally tones, the 68-year-old American gave his listeners a taster of what his directions might sound like.

"Left at the next street. No, right. You know what? Just go straight."

He continued: "I probably shouldn't do it because whichever way I go, I always end up at one place - on Lonely Avenue. Luckily I'm not totally alone. Ray Charles beat me there."

Details: http://news.bbc.co.uk/2/hi/uk_news/8219449.stm

Bob on GPS: Theme Time Radio Hour:
http://news.bbc.co.uk/1/hi/entertainment/8219651.stm

400 & Counting: Panorama of the Hudson River

Top: Greg Miller's digital photo Panorama of the Hudson River by Greg Miller, at the Samuel Dorsky Museum of Art, SUNY New Paltz

Middle and Bottom: Cover and photo panorama of both shores of the Hudson River by G. Willard Shear, 1888.

The Hudson River is a 315-mile (507 km) river that flows from north to south through eastern New York. It rises at Lake Tear of the Clouds, on the slopes of Mount Marcy in the Adirondack Mountains, flows past Albany, and finally forms the border between New York City and New Jersey at its mouth before emptying into Upper New York Bay. Its lower half is an estuary, experiencing tidal influence as far north as Troy.[1] The river is named for Henry Hudson, an Englishman sailing for the Dutch East India Company, who explored it in 1609.

This year represents the 400th anniversary of the river's exploration by Henry Hudson. The Hudson has also been known by the original residents as "Muh-he-kun-ne-tuk" or "Muhheakantuck." It also has been known as the "Mauritius" and the "North River."

The Hudson River was observed by Italian explorer Giovanni da Verrazano in 1524 as he became the first European historically known to have entered Upper New York Bay.

Early European settlement of the area clustered around the Hudson. The area inspired the Hudson River School of painting, an American pastoral style.

More on the Hudson River here: http://en.wikipedia.org/wiki/Hudson_River

As part of the ongoing commemoration of Hudson's exploration, there are many art and historical exhibitions coming up in the coming months.

The Samuel Dorsky Museum of Art's "Panaoramas of the Hudson" is a new digital version of the 1910 photographic survey of "every inch of the river's shoreline" that was first issued in 1910, based on photos from the late 19th century by G. Willard Shear and other photographers.

This classic work is on display, along with the modern, digitized version, that gives a poetic and re-scaled version of this photo project. It combines the late 19th century and now 21st century technology used to both record the images along both shores of the mighty Hudson as well as the industrial and technological development that continues to grow alongs its shores.

An interesting project that shows the river from its sources to its endpoint near NYC.

Accompanying this project, the ever fascinating Dorsky Museum has a show of Hudson River School Landscape paintings, "The Hudson River to Niagara Falls:
19th-century American Landscape Paintings from the New-York Historical Society"
as well as an exhibit of contemporary art and sculpture by Hudson Valley Artists 2009
"Ecotones and Transition Zones."



Above: from "Ecotones and Transition Zones": work by Hudson River artists

Dorsky Museum: http://www.newpaltz.edu/museum/

Other Upcoming Hudson River 400th Anniversary Events:
http://www.hudson400.com/CalendarOfEvents.aspx

James Cameron's "AVATAR": Trailer

Mars is inhabited by the Na'vi tribe, made up of ten-foot blue humanoids that are peaceful unless attacked. Humans cannot breathe Pandoran air, so they genetically engineer human/Na'vi hybrids known as Avatars that can be controlled via a mental link.

But when a paralysed Marine, played by SAM WORTHINGTON, volunteers to exist as an Avatar on Pandora, he falls in love with a Na'vi princess and is caught in the conflict of her people and the human military consuming their world.

James Cameron's "Avatar", his first since Titanic is due out this winter.

Details from "the Sun" on "Avatar."
http://www.thesun.co.uk/sol/homepage/showbiz/film/2598393/Be-the-first-to-see-the-trailer-for-new-James-Cameron-film-Avatar.html

First look at the trailer: http://avatar.substance001.info/

Quentin Uber Alles: "Inglourious Basterds" Takes Deutschland

Filmed in part in Germany, "Inglourious Basterds" is according to Director Quentin Tarantino a "spaghetti western but with World War II iconography" that was also influenced by the French New Wave.

"This ain't your daddy's World War II movie," Tarantino has said.

The title of the film was inspired by Italian director Enzo Castellari's 1978 movie "The Inglourious Bastards".

From Breitbart News: In the genre-blurring tale -- with David Bowie on the soundtrack -- Pitt plays Lieutenant Aldo Raine who heads the squad of Jewish-American soldiers behind enemy lines in German-occupied wartime France.

Aldo tells his men to bring him the scalps of 100 Nazis each, and vows to terrorise the German army with the "disemboweled, dismembered and disfigured bodies we leave behind us....

"This isn't camp, it isn't pulp -- you miss the point using such categories with Tarantino -- but rather a vision never before seen in the nearly exhausted world of cinematic images," the Berlin daily Tagesspiegel wrote.

"It took 65 years for a film-maker, instead of bringing Germany's evil 20th century history to life once more to have people shudder and bow before it, to simply dream around it. And to mow all the pigs down. Catharsis! Oxygen! Wonderful retro-futuristic insanity of the imagination!" "

Back home in these United States of America, while the far right is feeling its oats as the Democrats face the challenges of governance, in Germany the critics are delighted at Tarantino's anti-Nazi blockbuster film that, as one critic has it, has torn up and rewritten the rule book on World War 2 films

More on the German critics from Breitbart News:

http://www.breitbart.com/article.php?id=CNG.fdc24718ee84a912c2aa2914ba6c8c60.5c1&show_article=1

Village Voice “Inglourious Basterds” Interview with Quentin Tarantino

http://www.villagevoice.com/2009-08-18/news/quentin-tarantino-the-inglourious-basterds-interview?src=newsletter

Trailer: http://www.youtube.com/watch?v=oUV-bTqm5ss

Books: "Big Machine" by Victor LaValle

Among all of the blockbusters from authors such as Richard Russo, Thomas Pynchon, et al, in release, Victor LaValle's "Big Machine" is gaining a lot of attention and, with writerly obsessions of "mental illness, horror and religion," seems to be seriously worth a read:

Excerpt from "The Big Machine" by Victor LaValle

http://online.wsj.com/article/SB10001424052970204886304574308490641328908.html

Big Machine” by Victor LaValle Copyright © 2009 by Victor LaValle.

Wall Street Journal review: http://online.wsj.com/article/SB10001424052970203517304574304274003899240.html#articleTabs=article

Mr. LaValle interviewed about narrative and writing:
http://www.hobartpulp.com/website/october/NarrativeVoice.pdf

More details on the author and his work here: http://en.wikipedia.org/wiki/Victor_LaValle

How to Talk to Town Hall Crazies and the American Experiment

Congressman Barney Frank takes the health care reform debate by the horns and shows that there is more than one way to respond to the one dimensional ragin', ridiculous Right response. Dems need to stop being so nice, and Congressman Frank's response, which is less vitriol, and more bonhomie and humored back-zinging on the absence of intelligent discussion in the health reform "debate" shows how it is done. The GOP and their minions have lost. The Dems should not give up on any fronts. The time for compromise is over, as the GOP had 8 years of railroading their agenda. Maybe if the Obama administration shows what it is like to push an agenda in an uncompromising way, their could be unexpected results: (a) the GOP will come around and tone down their insane klown posse rants, or (b) maybe the Democratic agenda will in fact bear fruit. Face it folks, this is public policy. Although the business world still wants us to believe that "business=science" it doesn't, it is in many ways a gamble, as the meltdown proved. And the same for public policy. The freely elected administration running the government simply needs to be able to exercise the authority that they have earned for the next 4 or 8 years and see if this change of philosophy and direction works. Clearly, Obama won because the GOP proved themselves inept stewards of our national trust. Why should we think they are capable of anything else. We need to be able to try things to see what is possible in these here United States of America.
http://nymag.com/daily/intel/2009/08/how_to_talk_to_a_health-care_c.html

Dead Zones: NYC Homicide Map

NY Times Interactive Homicide Map: Select the location via zip and the mapping function provides detail on murders that have been perpetrated throughout the five boroughs from 2003 to the present.

http://projects.nytimes.com/crime/homicides/map?ref=nyregion

Coney Island Avenue: a play by Charles L. Mee at the NY Theater Workshop

The play, billed as a stroll down Coney Island Avenue, through the neighborhoods of Turks, Pakistanis, Jews, Muslims, Italians, Sikhs, Russians-ending with everyone in their swimming suits dancing on the beach at Coney Island to a Beach Boys number. The play for a dozen actors combines theater, dance, music, video. Presented by Sixdollarsinmypocket productions will present the world premiere of Charles L. Mee's Coney Island Avenue, at New York Theater Workshop's 4th Street Theater ; directed by Anjali Vashi.

Based on Mee’s play, it looks at the varied lives and every day struggles of the dynamic and diverse population of Brooklyn, and includes spoken word, film, live and recorded music, and dance. The talented, high energy cast explores the personal challenges, prejudices, and struggles of being a resident of Brooklyn in the 21st century. The direction by Ms. Vashi seemed sincere and focused, although the play’s essential quality as a pastiche of scenes, dances, multi-media and post-modern comic/dramatic touches, would seem to work against even the best intentions of any director to wrest a completely coherent whole from the mix. For instance, the effort to have the characters break through the 4th wall (cast members' whispered interactions with theater-goers, or lying in the aisles during the beach scene) fell a little flat. A musical it isn't, although the characters are provided with ample opportunity to belt out a heart-felt standard. But overall, a colorful, energetic, and interesting large ensemble production that showed why the NY Theater Workshop (which was the first home of Jonathan Larson’s Rent) remains a dynamic laboratory for off-off Broadway theater in NYC.

Cast: Jenny Bennett, Claudeen Benoit, Angela Bonacci, Ruben Celeberti, Jennifer Leigh Cohen, Tim Dax, Sam Ghosh, William S. Huntley III, Sandhya Jain, Max Jenkins, Haerry Kim, Aryeh Lappin, Franco Pristritto, Rachel Popson, Casey Robinson, Jerilyn Sackler, Bobby Savage, Lauren Sharpe, Chandra Thomas, Nitya Vidyasagar, and Annie Yim. The design team included Sarah Huddleston (sound), Hwi Won Lee (costumes), Dans Sheehan (lighting), Chris Zalewski (filmographer/film production), and Bobby Savage (choreography).

Happily for us, we caught the world premier of C.I.A. just as it was ending its off-off Broadway run. This also collided with a walk we took around our Flatbush neighborhood to Coney Island Avenue yesterday, where the Pakistani-American Day celebration was in full swing. Brooklyn -- ya gotta love it.

Mee's numerous plays include Iphiginea 2.0, Queens Boulevard: The Musical, Paradise Park, Big Love, True Love, First Love, bobrauschenbergamerica, Hotel Cassiopeia, Orestes 2.0, Trojan Women 2.0, Summertime and Wintertime.
Mee’s plays are available free online:
http://www.charlesmee.org/html/coney.html

'Way of Heaven' (Himmelweg) by Juan Mayorga

Samantha Rahn as the Girl, above.


Francisco Reyes as the Commandant

A field of brown leaves. The production of Juan Mayorga's "Way to Heaven" at Teatro Circulo is simple, riveting and haunting. At once exploring the Holocaust, ethics and personal responsibility, and the nature of art, philosophy and theater, the simple staging and powerful, understated performances will leave an impression that is difficult to forget. Inspired by the true story of the concentration camp at Theresienstadt, where the Nazis created a faux village to attempt to outwit the Red Cross inspectors, the play by Spanish playwright Juan Mayorga definitely draws you in. The proximity of the actors and their powerful performances, in this theater-in-the-round setting is compelling and unsettling.

Directed by Matthew Earnest, memorable performances by Shawn Parr as the Red Cross Representative, Mark Farr, as the Gershom, Beth Baker (She# 2), Sal Bardo (Boy #1), Jessica Amara Beaudry (She), Ben Elgaret (Boy#3) Trey Gerrald (Boy #2), and Trae Hicks (He). Outstanding in a smaller but pivotal role is Samantha Rahn (as The Girl). Francisco Reyes (The Commandant) is suitably commanding, powerful, sensitive and loathesome, as he directs the "players" in this life or death performance. Mr. Reyes' presence and performance of a strutting, cajoling, argumentative, sensitive and artistic Nazi -- but a Nazi nevetheless-- will stay with you, as will the moral struggles and confusion faced by the other characters caught in the Nazi's maelstrom of pure evil. Previously performed on the London stage, and in NYC, this repeat performance ends August 23. Teatro Circulo, 64 East 4th Street, NYC. For more information: Waytoheaventheplay.com

How Fares the Republic Part 2: Putting Out a Fire With Gasoline

The political conflict is brimming over as the pot is stirred by anti-democracy demagogues and, no-doubt, corporate interests. The fear and anger being demonstrated is beyond reasonable boundaries of behavior. However, once unleashed, this risks setting a fire that cannot be easily stopped. Voices of restraint and reason from all political parties and walks of life are necessary. I thought it was hopeful that former Governor Sara Palin commented that this level of discourse was getting out of control, surely a sign of the seriousness of this issue.
--BB

NBC.com: "Death to Obama" Sign Holder Detained by Secret Service
Secret Service now involvedBy JIM IOVINO

http://www.nbcwashington.com/news/politics/Death-to-Obama-Sign-Holder-Detained-53134147.html