The Dark Knight: Good, Evil and Something in Between

Dark indeed. The Dark Knight explores psychology, abnormal and otherwise, and resonates with the mysteries of post-9/11 urban life. Wiretapping. Terror. Chaos. Anarchy. This is not the Batman of Adam West and the comic book, zap-pow-bang, of the late 20th century. In this era, filmmaking-as-entertainment has morphed into something completely new and different, since virtually everyone on the planet (at least who was within sight of some form of communications media) has been exposed to the darkness of 9/11 and the other assorted forms of violence and terror that erupt from dark corners, inhabit our dreams, and form our nightmares of a future un-perfect. There is a lot to chew over here. It is a 2-1/2 hour film that never drags.

My kids saw it at a midnight screening in a crowded theater; we stragglers caught it at a local, more outlying theater, comparably empty at 6 PM on a Monday. Great cast, great script, great action. Christian Bale was fantastic. Aaron Eckhart, Maggie Gyllenhall, Gary Oldman: the cast members are, in major and supporting roles, uniformly stunning. And, of course there is not much else to be said about Health Ledger. I could only juggle in my memories the much more understated performance Ledger gave as the Counterculture figure of the 70s with a crashing marriage in "I'm Not There" with this over-the-top, shattering, transporting performance of a character who is as frightening and repellant as he is irrestistable. You cannot take your eyes off of Ledger while he is on the screen. This is the movie of the summer with some of the performances of the year. And the creation of a strange sort of legend for the late Heath Ledger.